Mary Cresswell | |||||||
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Double DamaskThe endless lawn is our offering Look at the space we own observe the We added statues picked up on the grand tour Look at our space we own observe the You can’t have it, either, you may mimic join us on the terrace, a rolling expanse of sheep drifting across the distance, the sound of money laughing.
CrusoeRise up and look around — new measurements required Footprints in the sand The turtles are moving rocks as fractals in the sandy surf: as uncountable
Song of the Open RoadOverbridge piling up riprap warnings of danger skirting the chaos
Growing Gulliver They are assembling him between two hills Rope dancers scuttle up and down Avoided and mitigated, ongoing assessment
Li Po visits the nature reserve green light directs us
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Mary Cresswell is from Los Angeles and lives on New Zealand’s Kapiti Coast. Fish Stories is her most recent book — published by the Canterbury University Press in 2015, it is reviewed in Cordite (cordite.org.au/reviews/jackson-cresswell-dennerstein). Cresswell writes: “The group of motorway poems shows how my view of nature has changed since a cloverleaf/interchange started being built in my backyard. I don’t know where ‘Crusoe’ came from unless — given Gulliver — I have been dreaming of the 18th century, though I also quite like turtles as fractals. The other poem recalls a long-ago visit to a deeply stately home somewhere in the middle of the Manawatu or maybe Hawke’s Bay.” | |||||||
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