At the Bay
I’ve been reeling in my line and casting out, listening
to the waves rap the shells along the shore like a jingle-fitted drum -
but I’ve caught nothing. I think I’d better go back to the boat,
and just watch shore-birds slowly step; perhaps watch them
beat unhurried spondees over the rushes when they fly towards
home. I see the breezes shirr and gather at the water’s
edge where the shoals fold over and over - it makes me
want to stay and cast again, and keep in earshot the crests
that cap and crash quietly with the dusk; to stay and watch
if fish will flash their fire over my head; hear my reel play itself
the way an insect clicks its beats in maddening heat, but
today I may not catch a single fish. Perhaps better just to turn
away, watch the egret put its icy steps along the sand; turn
and step away, let my rod bear each question lightly as I see
the egret flex its feet; step and turn away, content if these
waters hold only reflection, content if they do, or do not tremble.
Spittle Beach
for Andrew Slattery
It’s
cold among the shiftings of shell and sand;
the rain falling
slantwise out at sea. I walk among the pylons,
fish-scales
are stuck to the wood like grey sleet.
Far
off, a yacht -
its
spinnaker filled with the wind looks as bulbous
as the vocal sac
of a bell toad or a bullfrog. Along the shore -
weed,
and the blunt white shells of cuttlefish;
jellyfish
like smeared
globs
of glyceride. An octopus, its head like a perfume
bottle’s puffer,
has just squirted a whift of ink, tentacles
curl
in the air like baby fingers while the man hauls it in.
Yesterday
there was a shoal
of
fish turning through the current like a mirror-clad
ball, or like a
cluster of silver birch leaves in a swirling
wind;
now just the weed rolling, dark shadows
from
the deep. I walk
and
feel the wind come off the full fetch of the bay.
Fishermen in the
distance are flicking lines out - they are
spectred
by the spume; even the rocks and headland
seem
ghost-dreamt.
Soon,
more of the wave-peaked sea will reach land -
breakers give off
more spindrift. I walk towards a rock pool
full
of shells and pale anemones. Another octopus
rapidly
opens and closes -
a
spanning, spinning hand. Near the boathouse
there’s a
washed-up skate, a boy carries it above his head,
a
waiter with a drinks tray. He hurls it back to the sea;
it
whidders down as quickly
as
a UFO. I walk back where blue bottles wash up
in clusters of
varicose knots, and where the moon seems
to
be a squid-fisherman’s underwater, halogen light
trying
to burn through.
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